When I create Digital Fine Art  on alumiun panels I shape hundreds of individually, vector-sculpted patches of color, and add them one after the other; layer by layer in my computer. Only once all the color patches are in place does the concept I imagined  emerge. I sculpt patches of color. There’s no magic; just imagination, an absolute passion for art, and oodles of devoted time.

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I’m able to be the most imaginative in my Digital work. I’m not constrained by the size or the texture of the stone or the underlying armature embedded in the clay. However, finding the right expression, to convey my message, is just as elusive.

 

After many, many hours I turn my finished digital file over to the printing house, and with knowledge and care they infuse the prints onto aluminum.